Showing posts with label clockwork. Show all posts
Showing posts with label clockwork. Show all posts

Tuesday, August 28, 2012

this pulse is just a reflex

September 28, 2011
published in Westminster College's journal "ellipsis" Spring 2012

this pulse is just a reflex


the man at the front of the room, the one with the funny legs,
crab-walks from side to side, his back to us, with stilted, aluminum steps,
scribbling the notation for conic sections and riemann sums, sketching
the curves of cosines with a lover’s care, but all we can see are his legs;

he stands on his heels so his knees don’t buckle
because his bones were twisted by blacksmiths, mistaken
for yet-to-be ironwork railing rungs that they attached
with ligaments made of copper, eggshell-thin.

outside my window, the distant whirr of cars on the highway
is the same sound as the soft hushing-rushing of felt against slate,
and if I shift my body, my joints all make small chalkboard sounds
as they click into place, imitating chiseled white ‘x’s and ‘y’s;

I am made of bronze or well-tempered tin,
my eyes forgotten in the midst of remedial metal
splints for arms and legs, smooth steel mechanisms for heart and hands,
and intricate clicking gears for the best of brains–

we might all be hephaestus’s automata, beautiful the way
calculus and clockwork are, and nothing more.





Monday, August 27, 2012

Alalia syllabaris

December 15, 2010
won 2nd place in 2011 Sokol High School Literary Awards

Alalia syllabaris


I am
thick-lipped,
tongue-tied,
the words in my mouth
glass marbles that I
cannot spit out. 

If only these ideas
could articulate themselves,
clipped and clean and clear
like harpsichord staccato,
clockwork clicking,
or horses’ hooves
on cobblestone.

My language
would be as precise
as the lunar curves
of an eclipse,
lovelier than ice sculptures
carved and shaped
into masterpieces.

But my phrases slur,
like rain stammering, stammering
on roofs, streets, oceans,
making meaningless messes
of my simple thoughts.

Try as I might to master
the slick, quick turnarounds,
the sharp resolve of each word,
my sentences inevitably become
myopic, impressionist,
finger-painted interpretations
of the sentiments
I cannot communicate.